<p>Owning antique lithographs from 1822 is like holding a piece of history in your hands. These delicate prints require special care to maintain their color, texture, and overall integrity over time. One of the most important steps is to keep them out of direct sunlight, as UV rays can cause fading and deterioration. Additionally, using acid-free mats and backing when framing your lithographs will prevent yellowing and damage caused by acidic materials.</p><h3>Preservation Tips for Long-lasting Display</h3><p>Regularly inspect your lithographs for signs of mold or moisture damage, especially if they are stored in humid environments. Avoid touching the print surface with bare hands, as oils and dirt can degrade the paper. Instead, handle them by the edges or wear cotton gloves. If cleaning is necessary, use a soft brush or a dry microfiber cloth gently to remove dust without scratching the surface. Proper storage in archival-quality boxes with silica gel packets can also help maintain optimal conditions for your valuable lithographs.</p>

How to Care for Your Antique Lithographs to Preserve Their Beauty

Strixner Lithographie - Timeless Strixner Lithographs Collection

Blog

gallery 2

Gallery 3

<p>The world of lithography is evolving, with new techniques and materials enhancing the quality and appeal of prints. Contemporary artists are blending traditional lithographic methods with digital technology, creating hybrid works that capture the essence of classic lithography but with modern flair. This innovation is attracting a younger generation of collectors who appreciate both the historical significance and the fresh artistic perspectives.</p><h3>Industry Insights on Technological Integration</h3><p>Another growing trend is the increased focus on sustainable practices within the lithography industry. Eco-friendly inks and recyclable materials are becoming standard as artists and printmakers strive to reduce environmental impact. For collectors of vintage lithographs like those from the 1820s, this shift encourages a renewed interest in preserving older pieces as valuable cultural artifacts while supporting contemporary works that embrace sustainability.</p>

Emerging Trends in Lithography: What Collectors Should Watch For

<p>Strixner Lithographie has a rich heritage dating back to 1822, and the process of creating each lithograph is a meticulous blend of artistry and technical skill. The journey begins with the artist’s original drawing, which is transferred onto a limestone or metal plate. This plate is then treated with chemicals to fix the image, allowing it to be inked and printed multiple times with remarkable fidelity to the original artwork.</p><h3>Craftsmanship That Brings History to Life</h3><p>Every print in our collection undergoes a careful inspection to ensure quality and authenticity. The dedication involved in maintaining the traditional lithographic techniques is what makes Strixner Lithographie prints unique and highly collectible. Our behind-the-scenes approach not only preserves historical methods but also honors the artists’ vision, connecting art lovers today with a timeless craft that continues to inspire.</p>

Foto hecha en una fábrica y tienda de alfombras de Jaipur.

Behind the Scenes: The Art and Craft of Strixner Lithographie

Rare Book Division, The New York Public Library. "Scallops aquaticus, Common American Shrew Mole. Natural size. Male & Female." The New York Public Library Digital Collections. 1845 - 1848. https://digitalcollections.nypl.org/items/510d47da-6d2c-a3d9-e040-e00a18064a99

<p>Explore our extensive collection of Strixner lithographs, dating back to 1822. Discover rare and historic pieces that bring art and history to you.</p>

Artist M. Dubourg Title Temple of Hercules at Cori, plate thirty-two from the Ruins of Rome Place England (Artist's nationality:) Date Published 1798 Medium Hand-colored aquatint on paper https://www.artic.edu/artworks/128475/temple-of-hercules-at-cori-plate-thirty-two-from-the-ruins-of-rome

Timeless Strixner Lithographs Collection

Mountainous Landscape with River Date: n.d. Artist: James Robertson (English, active 1815-1836) or Style of John Varley (English, 1778-1842) https://www.artic.edu/artworks/85889/mountainous-landscape-with-river

Mountainous Landscape with Ruins Date: n.d. Artist: James Robertson (English, active 1815-1836) or Style of John Varley (English, 1778-1842) https://www.artic.edu/artworks/85882/mountainous-landscape-with-ruins

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection, The New York Public Library. "Race track" The New York Public Library Digital Collections. 1935 - 1969. https://digitalcollections.nypl.org/items/8c9fe21c-bdc5-c2d2-e040-e00a18065f36

Original drawing of Jedediah Strutt, founder of the chapel, built in 1788

Title: Soirée travesty
Creator: 
Date: Around 1831
Institution: Ruprecht-Karls-Universität Heidelberg. Universitätsbibliothek
Provider: German Digital Library 
Providing Country: Germany
Public Domain

Artist M. Dubourg Title Bridge of Varus, plate twenty-eight from Ruins of Rome Place England (Artist's nationality:) Date Published 1798 Medium Hand-colored aquatint on paper https://www.artic.edu/artworks/128471/bridge-of-varus-plate-twenty-eight-from-ruins-of-rome

The Old Grist Mill 19th century Anonymous published by Haskell & Allen (American) America lithograph In memory of Harold T. Clark, Gift of Mrs. Harold T. Clark 1965.535

Lionel Pincus and Princess Firyal Map Division, The New York Public Library. "The world in hemispheres. With other projections &c. &c." The New York Public Library Digital Collections. 1863. https://digitalcollections.nypl.org/items/510d47e2-0855-a3d9-e040-e00a18064a99

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. "Abstract design based on berries, leaves, grasses." The New York Public Library Digital Collections. 1900. https://digitalcollections.nypl.org/items/510d47e2-ade3-a3d9-e040-e00a18064a99

Artist M. Dubourg Title Ponte Nomentano, plate twenty-seven from Ruins of Rome Place England (Artist's nationality:) Date Published 1798 Medium Hand-colored aquatint on paper https://www.artic.edu/artworks/128469/ponte-nomentano-plate-twenty-seven-from-ruins-of-rome

Title: Motiiv Tartust Creator: Rüga, Eduard (autor) Date: 1937 Providing institution: Tartu Art Museum University Aggregator: Estonian e-Repository and Conservation of Collections Providing Country: Estonia CC0 Motiiv Tartust by Rüga, Eduard (autor) - 1937 - Tartu Art Museum, Estonia - CC0.

Title: Etüüd roosidest Creator: tundmatu kunstnik (autor) Date: Providing institution: Tartu Art Museum Aggregator: Estonian e-Repository and Conservation of Collections Providing Country: Estonia CC0 Etüüd roosidest by tundmatu kunstnik (autor) - Tartu Art Museum, Estonia - CC0.

Artist M. Dubourg Title Trophy of Marius, plate thirty-one from the Ruins of Rome Place England (Artist's nationality:) Date Published 1798 Medium Hand-colored aquatint on paper https://www.artic.edu/artworks/128474/trophy-of-marius-plate-thirty-one-from-the-ruins-of-rome

The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection, The New York Public Library. "Abstract design based on leaf shapes." The New York Public Library Digital Collections. 1900. https://digitalcollections.nypl.org/items/510d47e2-addd-a3d9-e040-e00a18064a99

Gallery

Title: Gloucester Beach Artist: Knowles, F. M Publisher: L. Prang & Co. Date: (c) 1876 https://www.digitalcommonwealth.org/search/commonwealth:5m60qr94g

veitmerkle@yahoo.com

Veit Arlt

Message

Connect

Explore our vast collection of Strixner Lithographie prints, showcasing exquisite artistry and history dating back to 1822. Own a piece of heritage with our exclusive sale.