Tanner King Music.

Manifesto and Hierchy

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Dafydd Thomas - Mixing engineer based in Cardiff

https://www.dafydd-thomas.com/

In an age where creation is increasingly automated, I remain fully responsible for my work.I use modern tools including AI, but I do not surrender authorship to them.Every song, lyric, structure, and idea is shaped by my judgment, experience, and intent.I don’t generate art. I compose it.Technology as Instrument, Not Author.I treat AI the same way artists once treated synthesizers, samplers, or digital audio workstations: as instruments.These tools help me explore ideas, test directions, and refine execution, but they do not decide what the work means or how it feels.The emotional core, narrative voice, and thematic cohesion come from lived experience and deliberate creative choice.

The Entropy of One

Elevate Your Sound with Tanner King

Most people hear sound.A few people listen.The difference is everything.Tanner King Music.

Carving out the space between the modern poets and the ancient grace.

I stand on the threshold between the world that was and the one yet to be, carrying the analog warmth of the past into the unfinished code of the future. Nostalgia is a memory of shelter, but it is not a home; therefore, I choose to build. By gathering fragments from the ruins and meaning from the static, I am reassembling discarded truths into a new, breathing reality. I am not waiting for a rescue. I am busy constructing continuity from collapse and a future from the debris, one track at a time.

AZERO A Perceptual Experience.&nbsp;Written and Produced by Tanner King Music.

Shadows on a Wire

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<h4>Feeling: is experienced first, a surge of emotion, raw and unfiltered.</h4><h4>Thought: an articulation of what I want to say to express that feeling, a shaping of the primal impulse into modern meaning.</h4><h4>The Vision: It is the emergent internal architecture of the work, the mental blueprint where the first true generation occurs. Before anything is built, it exists there in the mind.</h4><h4>The Will-2-Act: I choose to commit to translating feeling, thought, and vision into reality, using the tools available to me, made possible by those who came before standing on their foundations while participating in an ongoing creative continuum.</h4><h4>Design: Clear rules and intentional structure establish boundaries. Through disciplined iteration of writing, rewriting, and refining. The work is shaped until it aligns with the original vision.</h4><h4>Process: Systems and workflows are applied to refine, polish, and complete the piece. Execution serves the originating body—the living, conscious entity, because without feeling and the will to act, no work would exist.</h4><h4>Computation: Rests at the edge. Code and hardware execute tasks in alignment with my intent. Like canvas, paint, and brush, they are instruments. The work does not create itself; it requires a consciousness, a free-willed being to bring it into existence.</h4><h4>The order is fixed: Feeling, Thought, Vision, Will-2-Act, Design, Process, Computation.</h4><h4>Code of Independence: Affirms that my works answer first to inner necessity rather than trends, algorithms, or approval, prioritizing authenticity over popularity and long-term vision over short-term reach.&nbsp;</h4><h4>Ownership: My process, tools, and evolution, protecting my time, attention, and identity from external control while remaining transparent about influence and accountable for impact.&nbsp;</h4><h4>Above all: I commit to sustained creative sovereignty, building skill, resilience, and direct connection so that my voice remains self-determined and uncompromised. Money, platforms, and collaborators are part of process. The instruments are not authorities, and I reserve the right to adapt, withdraw, contradict, or refine my path as needed. If anything conflicts, authority moves upward. Efficiency never overrides intention. Automation never overrides agency. The Machine is a tool, it supports the mission, but it does not lead.</h4>

Hierarchy of The Machine.

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Privacy Policy

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